Early Television  
Mechanical TV History How it Works Mechanical Sets at the Museum Gallery Database Summary Broadcasting Technical Inforation Restoration Advertising Articles Roger DuPouy's Site Peter Yanczer's Site Gerolf Poetschke's Site Eckhard Etzold's Site
Early Electronic Television History American Sets at the Museum British Sets at the Museum Gallery Database Summary Broadcasting CRTs Accessories Technical Information Restoration Advertising Articles Gerolf Poetschke's Site Eckhard Etzold's Site
Postwar American TV History American Sets at the Museum British/Europen TV History British/Europen Sets at the Museum TV in the Rest of the World Gallery of Unusual Sets Broadcasting CRTs Accessories Technical Information Restoration Advertising Articles Eckhard Etzold's Site
Early Color TV History Sets at the Museum Gallery Database Summary Broadcasting CRTs Accessories Technical Information Restoration Advertising Articles Pete Deksnis's Site Ed Reitan's Color Television History Eckhard Etzold's Site
The Early Television Foundation About the Museum Directions to the Museum Articles about the Museum Support the Museum Join our Email List Our Newsletter - "What's New in Old TVs" Equipment Donations Museum Members and Supporters Members Only Monthly Online Meetings Annual Convention Swapmeets
What's New on the Site Classifieds Parts for Sale Resources North American Radio and TV Museums Search the Site
Contact Us Facebook YouTube Channel

Mechanical Television

Mechanical TV Standards

The following is from James Hawes:

For the public, the US mechanical TV boom really started in 1928. The stations of the time had at best local standards and at worst no standards. A popular cartoon shows a TV viewer sitting in a chair on casters. To "change channels," he slides the chair down a row of scanners, each with its own TV standard! Sort of an in-joke, but it paints the true picture.

In October 1928, the RMA discussed the problem and recommended two regional standards, 60 and 48 lines. The 60-line format came from Frank Conrad at Westinghouse. RCA adopted 60 lines and abandoned 48 lines, the standard of Ernst Alexanderson at General Electric. After RCA began transmitting with 60 lines, most stations on the Eastern Seaboard followed suit. Of course, 60-line transmissions were too broad for standard medium-wave (AM band) channels. Responding to the situation in 1929, the FRC moved television to the 160-meter shortwave band. Channels in this band were broad enough for pictures of up to 70 lines at 20 fps. (Or more conservatively, 60 lines with ample guard bands. I assume square pixels.) See Abramson, The History of Television, 1880-1941, p. 128. Also Udelson, The Great Television Race, pp. 45-46. 

In the late 1920s and early 30s, several mechanical TV transmission standards were being used. Here are the details on most of them:

Lines

Frames/ Second

Aspect Ratio (H:V) 

Scan

Direction (r=right, l=left, t=top, b=bottom)

Sync

Notes

24 21 ? Progressive l-r, t-b ? WGY, 2XAF, 2XAD
30 12.5 3:7 Progressive  r-l, b-t  Phonic Baird, England, 1928-32
30 12.5 1:1 Progressive l-r, t-b Phonic Germany, France, 1930
36 ? ? Progressive l-r, t-b ? W2XAL, WRNY New York 1928
45 15 1:1 Triple interlace r-l, t-b Synchronous W9XAL, WCFL, W9XK midwest, 1929-32
48 7.5 ? Progressive ? ? 2XAL New York 1928
48 10 ? Progressive ? ? WRNY New York 1928
48 15 6:5 Progressive l-r, t-b Synchronous East coast, 1930-31
48 20 ? Progressive ? Synchronous WGY (G.E.)
60 20 6:5 Progressive l-r, t-b Synchronous East coast, 1930-32
80 15 ? Progressive ? Synchronous, blacker than black sync pulse W6XS Los Angeles, 1931-36
96 20 ? Progressive ? ? W6XAH Bakersfield, 1931

Early Television

 


 
Early Television Museum
5396 Franklin St., Hilliard, OH 43026
(614) 771-0510
info@earlytelevision.org