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CBS Field Sequential System
(US, 1940-1953)
This field sequential system displayed red, green, and blue
television images in sequences, and depended upon the retentivity of
the eye to merge these into a single color picture. If, however,
flicker and picture sharpness were to be maintained at the level of
monochrome television, a field sequential broadcast signal would
require three times the bandwidth of monochrome. A compromise or
trade off was reached by increasing the bandwidth from 4 to 5 MHz,
number of frames were reduced from 30 to 20 per second, and scanning
lines reduced from 525 to 343. For this reason it was incompatible
with existing black and white broadcasting.
This was a hybrid system. It used a rotating disk, but it was not a
scanning disk; it contained red, green, and blue filters arranged in
radial arcs. The "color wheel" spun in front of a
conventional electronic scanning tube, presenting it with successive
red, green, and blue images. The receiver had a similar color wheel,
displaying the successive images to reconstruct the full color image.
The chart below shows how the color bands were scanned and recombined
on the CBS system to form all hues, black, and white in the full
color picture. (Information and pictures courtesy of Rick Plummer)

CBS arranged demonstrations of their color system for NTSC members
and FCC officials on 28 August and 4 September 1940. They were shown
beautiful color imagery with 343 lines of resolution on a TV screen
18 centimeters wide, operating at CBS labs in New York City. The
audience found it impressive. FCC Chairman Fly was enthusiastic
enough to declare: "If we can start television off as a color
proposition, instead of a black and white show, it will have a
greater acceptance with the public." A
magazine article describes the
system in April of 1941.
An RCA representative on the NTSC replied that his company was aware
of and unimpressed by the CBS system, and called it a "mechanical
system". RCA's technology was the leader in the current race to
establish TV standards, and the company was not happy at a CBS effort
to muddy the waters.
A November, 1941 document from CBS entitled "Progress
Report on Color Television", contains photos of early CBS
equipment. Life Magazine featured
articles on the CBS system in 1941.
Here is a film clip from a
1946 color demonstration by
CBS. This clip is from
Pete
Deksnis's site, where you can find more on it.
Their 1949 Color System was the third field sequential approach to be
proposed to the FCC for adoption. They had suggested that their field
sequential standards be adopted in 1941 and 1946. At those earlier
times, with few black and white receivers in the hands of the public,
the adoption of the non-compatible CBS system might have been
feasible. In 1950 the FCC approved the CBS system over the RCA compatible
approach, mainly because the picture quality was superior. After the
adoption of the CBS system, Packard-Bell's president Robert Bell made a
presentation to the RTMA
critical of the system.
In 1951 CBS began test broadcasting, using a field-sequential system
of 405 lines, 144 fields per second, incompatible with the NTSC
black-and-white standard. Due to the Korean War, CBS stopped color
broadcasting 4 months later. Federal Telephone
and Radio Corp. built a UHF transmitter
for the CBS system.
A few receivers were
manufactured for the CBS system, including one by
Sears-Silvertone, and
converters were sold to turn a black and white set in color. Some
people made their own
converters.
CBS also developed an all electronic color TV system which was a
projector type having the equivalent of a 22 inch screen. Three
images were produced on the face of the tube and these were combined optically.
For a more detailed history of CBS color, see Bob
Cooper's article. Extensive information on early color systems
can be found at Ed
Reitan's site. Dave Johnson wrote an article about
Peter Goldmark, CBS's chief engineer
and inventor of the CBS field sequential system.
The museum has a working Gray Research
field sequential color monitor and a
Converter designed for the CBS system. Click for
newspaper and magazine articles about CBS
color.

Color camera (1945)
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A CBS color camera (late 40s)
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This receiver is shown with a scanning adapter
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DuMont color wheel, made to demonstrate a major problem with the CBS system. CBS responded with a drum receiver which allowed a large screen set to be made in a small space.
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